
I’ve always found Jim Starlin to be pretty hit and miss as a writer and he’s responsible for one of my least favourite Batman stories ever (The Cult), but he does an ok job here. I get the feeling like he wanted to introduce a bunch of ‘Big Ideas’ and make grand statements, but someone wisely suggested that he focus on the more human element of the story. All things, of course, are made better by Jim Aparo art and this story is no exception. Whenever I see an Aparo cape & cowl, it feels like a homecoming. He is able to convey emotion here, and I couldn’t think of an artist better suite to telling this story. We miss you Jim.
All in all, I think it holds up pretty well. It’s a shame that DC felt it needed a big stunt, and I sometimes feel as though this storyline (along with Crisis) helped to open some floodgates that should have remained shut. That being said, it’s really a pretty good piece of comic book storytelling and made me feel sad for the loss of Jason Todd. That’s quite an accomplishment.
2 comments:
"Whenever I see an Aparo cape & cowl, it feels like a homecoming."
This line just rang so true for me. Nicely done.
Aparo's Batman is "my" batman. (Although I have to say I really didn't like this story).
Post a Comment