The mid-50s was an interesting time at Charlton. They had acquired a series of titles from various publishers and suddenly became something of a publishing empire. One of the 'new' titles at Charlton was Charlie Chan, which arrived via Prize/Crestwood, hence the Simon & Kirby house look to the book. This was the second Charlton issue of this short-lived series, and the final one to feature leftover inventory from Prize/Crestwood. I'm not entirely sure who did the artwork here, as I know that everyone from Dick Briefer to Manny Stallman worked on this series, and it has that over whelming Prize feel to it. The stories are fun, and pretty innovative. It is really too bad that the funnybook world has moved away from the mystery genre. Have a look at the Number One son, Jimmy's face on the cover (which is taken from an inside semi-splash) here. Doesn't it have a Gil Kane look to it?
Sunday’s Statistical Standard
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