Instead of praising his Golden and Silver Age DC work, I thought it was time to declare my love for his work for Atlas in the 50s. Here's an example of his artwork from Adventures Into Weird Worlds #9 from August, 1952. I've included a few panels to show you just how fantastic his artwork was back then. The one above indicates that both Alex Toth and Mort Meskin were major influences on his work. This is a shift from his late 40s work at DC, which was pure Caniff school. There is a much greater sense of texture, more variety in the facial expressions and an infusion of energy and atmosphere. By the way, does that handsome ape to the left look familiar to anyone? In particular, I really love his use of shadows and silhouettes (something he'd nail on the Strange Sports Stories books). Just check out the three panel strip below and you'll see what I'm talking about. It's hard to imagine this is the same guy who doodled his way through Nova and Star Wars when I was a kid.
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